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The Dot (Peter H. Reynolds) — for every child who needs permission to begin messy and still be magnificent.
Saturday (Oge Mora) — for the gentle art of trying again when the day goes sideways.
Last Stop on Market Street (Matt de la Peña) — for seeing the world with new eyes, even on an ordinary ride.
Front Desk (Kelly Yang) — a story about courage, family, and finding your voice in systems bigger than you.
Because of Winn-Dixie (Kate DiCamillo) — for the kind of beginning that comes after loss, and the friends that show up anyway.
Wonder (R.J. Palacio) — for practicing empathy as a daily habit, not a once-in-a-while assignment.
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